//THE SPACE INBETWEEN/LO SPAZIO ATTRAVERSO//
//THE SPACE INBETWEEN/LO SPAZIO ATTRAVERSO//
for english scroll-down
Laboratorio di incontro tra la Contact Improvisation e la danza Butoh, condotto da Alessandro Rivellino
Io non danzo, vengo danzato
(Tadashi Endo)
Questo laboratorio è un esperimento:
per avventurarci nello spazio sospeso tra la Contact Improvisation e la danza Butoh, che è aria sottile ma anche humus fertile di intersezioni e reciprocità.
Attraverseremo la percezione di diversi livelli di attenzione potenziale, e in questo modo ci lasceremo danzare da forze invisibili quali la Gravità, il Magnetismo, l’Immaginifico e gli stati che ne scaturiscono.
Pelle, fascia, muscoli, ossa, cinesfera, corpi, spazio tutto intorno, spazio amplificato - da qui sgorga ogni possibilità di movimento e di non-movimento, ogni danza reale e potenziale. Entriamo in stati di sospensione dell’identità.
“Sono una porta scorrevole tra l’inalazione e l’esalazione” (antico detto Zen).
Troppo poetico? Bene. È così che la nostra vita dovrebbe essere. È così che potrebbe essere.
//PROGRAMMA//
Venerdì:
ore 15 arrivo e registrazione
ore 16-19 laboratorio
a seguire: cena condivisa
Sabato:
ore 10-13 lab
ore 13-15 pausa pranzo
ore 15-18 lab
pausa e cena
dalle 21 Jam
Domenica:
ore 10-13 lab
ore 13-15 pausa pranzo
ore 15-18 lab
Costo: 130€
comprensivo di:
corso completo e jam, pranzo e cena del sabato e pranzo della domenica
Early bird: 110€ entro il 15 maggio
È possibile pernottare in studio con sacco a pelo e materassino.
Per gruppi di minimo 10 persone è possibile pernottare nel bellissimo loft sovrastante lo studio a un prezzo che si aggira intorno ai 10€ a notte a testa a seconda del numero dei partecipanti. http://fattoriamajnonibaldovinetti.com/it/villa/i-magazzini/
Indirizzo: Via Mazzana 1, 56020 Marti (Pi)
Info: Ella 338.40023798
Iscrizioni: https://forms.gle/fz9GtkfPg6VGiHcNA
Iscrizioni: https://forms.gle/fz9GtkfPg6VGiHcNA
Il workshop è rivolto a chiunque sia interessato alla danza e ad essere danzato dalle forze che attraversano il proprio corpo, anche a chi fa esperienza di queste pratiche per la prima volta.
E' necessario iscriversi per partecipare.
L'incontro sarà condotto in spagnolo e Italiano, se necessario inglese.
//BIO//
Alessandro Rivellino è il nome che ho ricevuto alla nascita e che mi è utile per essere riconosciuto, ma penso di non essere lui.
La mia ricerca parte dalla sinestesia, quando il corpo perde una identità propria e è danzato dalle forze che lo attraversano. Il mio lavoro si basa su un approccio transpersonale in cui i rituali e le tecnologie del sacro hanno il potere di cambiare i fili energetici che ci attraversano, permettendo molteplici stati e potenze di manifestarsi attraverso la danza.
Ho incrociato nel cammino Rhea Volij, Alain Alberganti, Tadashi Endo e per tre anni ho praticato la danza vertiginosa con il gruppo di ricerca Totum.
Pratico e insegno contact improvisation nel profondo da 12 anni.
Offro workshop di questa tecnica in Brasile, luogo in cui sono nato e in molti paesi tra cui Argentina, Perù, Uruguay, Ecuador, Israele, Germania, Francia, Spagna e Italia. Recentemente sono stato tra gli insegnanti del Freiburg Contact Festival e a giugno insegnerò all’Italy Contact Fest.
Sono professore alla Municipal Dance Company di Porto Alegre e organizzo corsi per attori e ballerini, come insegnante di teatro fisico e come preparatore per artisti.
Sono laureato all’UFRGS (Brasile) in danza e teatro e ho conseguito un Master in Performing Arts con ricerche in Butoh, Arti Visive e sperimentazione in strada.
Ho fondato il ColectivoJoker, la cui ricerca va verso l'ibridazione delle lingue e dà vita a opere come interventi architettonici, tra cui “The City of Goma” (2013) che ha ricevuto 7 nomination per l'Azorean Dance Award e ha vinto il premio per l'eccellenza artistica e la ricerca e “JokerPsique” (2011), che ha vinto il premio Azorean Dance Award nella categoria BestDancer.
Se dovessi dare un nome alle altre pratiche a cui mi dedico le chiamerei “pratiche dello stare bene in forma orizzontale intuitiva” e includono: educazione somatica, Body Studies e Philosophy of Difference, Axys Syllabus, Alexander technique, Butoh, Jin-Shin-Jyutsu, Kinomichi, Meditazione in movimento e Danze circolari sacre.
Amo danzare ed essere danzato, sono grato per ogni danza che ho danzato nel cammino e sono grato per ciò che arriverà.
//THE SPACE INBETWEEN/LO SPAZIO ATTRAVERSO//
Dance laboratory of Contact Improvisation meeting Butoh Dance
with Alessandro Rivellino
with Alessandro Rivellino
I don't dance, I am danced.
(Tadashi Endo)
This workshop is a pure experiment: it will open the in-between field for contact improvisation and butoh to cross each-other.
We will cross the perception of different layers for the attention to be, and through that we will be danced by the invisible forces such as Gravity, Magnetism, Imaginary and the states that arises.
Skin, fascia, muscles, bones; kinesphere, other bodies, surrounding space, amplified space dwell all potential for movement and stillness and bring all dance potential in motion: getting into states from the suspension of identity.
I am a rotatory door between inhalation and exhalation (Zen)
Too Poetic? Great. This is how our life should be.
This is how our life can be.
//PROGRAMME//
Friday:
h 15 arrival and registration
h 16-19 workshop
shared meal afterwards (everybody brings something)
Saturday:
h 10-13 workshop
h 13-15 lunch
h 15-18 workshop
h19 dinner
h 21 jam
Sunday:
h 10-13 workshop
h 13-15 lunch
h 15-18 workshop
Price: 130€
including:
workshop&jam, Saturday lunch&dinner, Sunday lunch
Early bird until the 15th of May: 110€
It is possible to sleep in the studio with own sleeping bag and mat.
For groups of at least 10 participants it is possible to rent the gorgeous loft located over the studio for a special affordable price (around 10€ pro night and person depending on how many persons):
Address: Via Mazzana 1, 56020 Marti (Pi)
Info: Ella 338.40023798
Pre-registration: https://forms.gle/fz9GtkfPg6VGiHcNA
The workshop is open to anybody who is interested in dance and being danced by the forces which cross the body, even if new to these dance forms.
Teaching languages will be Spanish and Italian, if necessary English.
//BIO//
Alessandro Rivellino is the name that I received and I use to be recognized as a person.
My research starts from the Synaesthesia, when the body loses its own identity and is danced by the forces that pass through it. My work is based on a transpersonal approach in which rituals and technologies of the sacred have the power to change the energy strands that cross us, allowing multiple states and powers to manifest through dance.
On the way I met Rhea Volij, Alain Alberganti, Tadashi Endo and for three years I practiced whirling dance with the Totum research group.
I have been practicing and teaching contact improvisation for 12 years.
I offer workshops of this technique in Brazil, where I was born and in many countries including Argentina, Peru, Uruguay, Ecuador, Israel, Germany, France, Spain and Italy. Recently I was among the teachers of the Freiburg Contact Festival and in June I will teach at the Italy Contact Fest.
I am a professor at the Municipal Dance Company of Porto Alegre and I organize courses for actors and dancers, as a teacher of physical theater and as a trainer for artists.
I graduated from UFRGS (Brazil) in dance and theater and I did a Masters in Performing Arts with research in Butoh, Visual Arts and street experimentation.
I founded the ColectivoJoker, whose research goes towards the hybridization of languages and gives life to works such as architectural interventions, including "The City of Goma" (2013) which received 7 nominations for the Azorean Dance Award and won the award for artistic excellence and research and "JokerPsique" (2011), which won the Azorean Dance Award in the BestDancer category.
If I had to give a name to the other practices to which I dedicate myself I would call them "practices of wellbeing in an intuitive horizontal form" and include: Somatic Education, Body Studies and Philosophy of Difference, Axys Syllabus, Alexander technique, Butoh, Jin-Shin-Jyutsu , Kinomichi, Meditation in Motion and Sacred Circular Dances.
I love dancing and being danced, I am grateful for every dance I danced on the way and I am grateful for what will come.
//BIO//
Alessandro Rivellino is the name that I received and I use to be recognized as a person.
My research starts from the Synaesthesia, when the body loses its own identity and is danced by the forces that pass through it. My work is based on a transpersonal approach in which rituals and technologies of the sacred have the power to change the energy strands that cross us, allowing multiple states and powers to manifest through dance.
On the way I met Rhea Volij, Alain Alberganti, Tadashi Endo and for three years I practiced whirling dance with the Totum research group.
I have been practicing and teaching contact improvisation for 12 years.
I offer workshops of this technique in Brazil, where I was born and in many countries including Argentina, Peru, Uruguay, Ecuador, Israel, Germany, France, Spain and Italy. Recently I was among the teachers of the Freiburg Contact Festival and in June I will teach at the Italy Contact Fest.
I am a professor at the Municipal Dance Company of Porto Alegre and I organize courses for actors and dancers, as a teacher of physical theater and as a trainer for artists.
I graduated from UFRGS (Brazil) in dance and theater and I did a Masters in Performing Arts with research in Butoh, Visual Arts and street experimentation.
I founded the ColectivoJoker, whose research goes towards the hybridization of languages and gives life to works such as architectural interventions, including "The City of Goma" (2013) which received 7 nominations for the Azorean Dance Award and won the award for artistic excellence and research and "JokerPsique" (2011), which won the Azorean Dance Award in the BestDancer category.
If I had to give a name to the other practices to which I dedicate myself I would call them "practices of wellbeing in an intuitive horizontal form" and include: Somatic Education, Body Studies and Philosophy of Difference, Axys Syllabus, Alexander technique, Butoh, Jin-Shin-Jyutsu , Kinomichi, Meditation in Motion and Sacred Circular Dances.
I love dancing and being danced, I am grateful for every dance I danced on the way and I am grateful for what will come.
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